In cinematography, the dolly grip is a dedicated technician trained to operate the camera dolly. This technician places, levels, and moves the dolly track, then pushes and pulls the dolly and usually a camera operator and camera assistant as riders. If the dolly has a moveable vertical axis, such as a hydraulic arm, then the dolly grip also operates the "boom". If both axes are used simultaneously, this type of dolly shot is known as a compound move.
A dolly grip must work closely with the camera crew to perfect these complex movements (cinematic techniques) during rehearsals. Focusing the lens is critical to capturing a sharp image, so a dolly grip must hit their marks in concert with a camera assistant who pulls focus. It is a skill that experience can hone to a point, but the best dolly...
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AlamoFilming.jpg
Crew members filming The Alamo (2004) Filming with Panavision cameras.
Arriflex D 21 with camera dolly.jpg
A J.L. Fisher model 10 camera dolly with an Arriflex D-21 camera.
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J.L. Fisher "Model 10" camera dolly mounted on track, at medium distance.
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Shotmaker Elite in action